brianprince says:
"graphic design is electronic music, while illustration is a band. both forms of art are neither less, nor greater than the other."
yeah, i said it.
student
- brianprince
- visual arts, cal state fullerton
- documenting
important things
is good.
bibliography
XI.
The Elements of Typographic Style (2nd Edition)
Robert Bringhurst (Hartley & Marks, 1996)
X.
Stop Stealing Sheep & find out why type works (2nd Edition)
Erik Spiekermann & E.M. Ginger (Adobe Press, 2003)
IX.
Graphic Design The New Basics
Ellen Lupton & Jennifer Cole Phillips (Princeton Architectural Press, 2008)
VIII.
Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music
Mark J. Bulter (Indiana University Press, 2006)
VII.
Max Bill: No Beginning No End
Marta Herford (Scheidegger & Spiess, 2008)
VI.
Back in No Time: The Brion Gysin Reader
Edited by Jason Weiss (Wesleyan University Press, 2001)
The Beat Hotel: Ginsberg, Burroughs, and Corso in Paris, 1957—1963
Barry Miles (Grove Press, 2000)
V.
The Architecture of Deconstruction: Derrida's Haunt
Mark Wigley (The MIT Press, 1993)
FLicKeR, a documentary film
Nik Sheehan (Makin' Movies Inc. and the National Film Board of Canada, 2008)
IV.
Design Studies: Theory and Research in Graphic Design, A Reader
Edited by Audrey Bennett (Princeton Architectural Press, 2006)
III.
Chapel of Extreme Experience: A Short History of Stroboscopic Light and the Dream Machine
John Geiger (Soft Skull Press, 2003)
II.
Brion Gysin: Tuning in to the Multimedia Age
Edited by José Férez Kuri (Thames & Hudson LTD, 2003)
I.
Artful Sentences: Syntax as Style
Virginia Tufte (Graphics Press LLC, 2006)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
titles most likely to be included in my works cited start from here up.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Graphic Design: A New History
Stephen J. Eskilson (Yale University Press, 2007)
Looking Closer Five: Critical Writings on Graphic Design
Michael Bierut, William Drenttel & Steven Heller (Allworth Press, 2006)
1000 Graphic Elements: Details for Distinctive Designs.
Wilson Harvey, London (Rockport, 2004)
Books, Boxes and Portfolios: Binding, Construction, and Design Step-by-Step.
Franz Zeier (Design Press, 1990)
Cover to Cover: Creating Techniques for Making Beautiful Books, Journals & Albums.
Shereen LaPlantz (Lark Books, 1995)
Color Harmony: A Guide to Creative Color Combinations
Hideaki Chijiiwa (Rockport Publishers, 1987)
Color Management for Packaging: A Comprehensive Guide for Graphic Designers
John T. Drew & Sarah A. Meyer (RotoVision SA, 2008)
Typography | Advertising | Book Design
Max Bill (Niggli, 1999)
Color Management for Logos: A Comprehensive Guide for Graphic Designers
John Drew & Sarah Meyer (RotoVision SA, 2006)
Signage Systems & Information Graphics: A Professional Sourcebook
Andreas Uebele (Thames & Hudson LTD, 2007)
Envisioning Information
Edward R. Tufte (Graphic Press LLC, 1990)
Beautiful Evidence
Edward R. Tufte (Graphic Press LLC, 2006)
Design Literacy (continued): Understanding Graphic Design
Steven Heller (Allworth Press, 1999)
Fifty Designers' Current Favourite Typefaces
James West (Create/Reject, 2008) UNICEF Benefit.
Design Literacy: Understanding Graphic Design
Steven Heller and Karen Pomeroy (Allworth Press, 1997)
The Guerilla Art Kit
Keri Smith (Princeton Architectural Press, 2007)
Visual Explanations
Edward R. Tufte (Graphic Press LLC, 1997)
Barnbrook Bible
Jonathan Barnbrook (Rizzolini, 2007)
Helvetica, a documentary film
Gary Hustwit (Plexifilm, 2007)
Cartooning and Commercial Art
E.C. Matthews and Phillip Albaum (World Publishing Co., 1941)
Massive Change
Bruce Mau & the Institute without Boundaries (Phaidon Press, 2004)
Business Cards. The Art of Saying Hello.
Mike Dorrian, Liz Farrelly (Collins Design Publishers, 2004)
Colors. What They Mean and How to Make Them.
Anne Varichon (Abrams, 2006)
Paul Rand
Steven Heller (Phaidon Press, 1999)
Barbara Kruger: Thinking of You
Multiple essays organized by Ann Goldstein (The MIT Press, 1999)
brian prince
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1 + 714 336 6170
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