wow, brianprince is in artschool.: kill poet press: i made it into issue 7.

i'm not sure how it happened, but i got a piece into kill poet's latest issue. i think this is my third time submitting and i finally made it in. i'm honored to be published with the likes of kill poet. scheck it out... killpoet.com

bibliography

XI.
The Elements of Typographic Style (2nd Edition)
Robert Bringhurst (Hartley & Marks, 1996)

X.
Stop Stealing Sheep & find out why type works (2nd Edition)
Erik Spiekermann & E.M. Ginger (Adobe Press, 2003)

IX.
Graphic Design The New Basics
Ellen Lupton & Jennifer Cole Phillips (Princeton Architectural Press, 2008)

VIII.
Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music
Mark J. Bulter (Indiana University Press, 2006)

VII.
Max Bill: No Beginning No End
Marta Herford (Scheidegger & Spiess, 2008)

VI.
Back in No Time: The Brion Gysin Reader
Edited by Jason Weiss (Wesleyan University Press, 2001)

The Beat Hotel: Ginsberg, Burroughs, and Corso in Paris, 1957—1963
Barry Miles (Grove Press, 2000)

V.
The Architecture of Deconstruction: Derrida's Haunt
Mark Wigley (The MIT Press, 1993)

FLicKeR, a documentary film
Nik Sheehan (Makin' Movies Inc. and the National Film Board of Canada, 2008)

IV.
Design Studies: Theory and Research in Graphic Design, A Reader
Edited by Audrey Bennett (Princeton Architectural Press, 2006)

III.
Chapel of Extreme Experience: A Short History of Stroboscopic Light and the Dream Machine
John Geiger (Soft Skull Press, 2003)

II.
Brion Gysin: Tuning in to the Multimedia Age
Edited by José Férez Kuri (Thames & Hudson LTD, 2003)

I.
Artful Sentences: Syntax as Style
Virginia Tufte (Graphics Press LLC, 2006)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

titles most likely to be included in my works cited start from here up.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Graphic Design: A New History
Stephen J. Eskilson (Yale University Press, 2007)

Looking Closer Five: Critical Writings on Graphic Design
Michael Bierut, William Drenttel & Steven Heller (Allworth Press, 2006)

1000 Graphic Elements: Details for Distinctive Designs.
Wilson Harvey, London (Rockport, 2004)

Books, Boxes and Portfolios: Binding, Construction, and Design Step-by-Step.
Franz Zeier (Design Press, 1990)

Cover to Cover: Creating Techniques for Making Beautiful Books, Journals & Albums.
Shereen LaPlantz (Lark Books, 1995)

Color Harmony: A Guide to Creative Color Combinations
Hideaki Chijiiwa (Rockport Publishers, 1987)

Color Management for Packaging: A Comprehensive Guide for Graphic Designers
John T. Drew & Sarah A. Meyer (RotoVision SA, 2008)

Typography | Advertising | Book Design
Max Bill (Niggli, 1999)

Color Management for Logos: A Comprehensive Guide for Graphic Designers
John Drew & Sarah Meyer (RotoVision SA, 2006)

Signage Systems & Information Graphics: A Professional Sourcebook
Andreas Uebele (Thames & Hudson LTD, 2007)

Envisioning Information
Edward R. Tufte (Graphic Press LLC, 1990)

Beautiful Evidence
Edward R. Tufte (Graphic Press LLC, 2006)

Design Literacy (continued): Understanding Graphic Design
Steven Heller (Allworth Press, 1999)

Fifty Designers' Current Favourite Typefaces
James West (Create/Reject, 2008) UNICEF Benefit.

Design Literacy: Understanding Graphic Design
Steven Heller and Karen Pomeroy (Allworth Press, 1997)

The Guerilla Art Kit
Keri Smith (Princeton Architectural Press, 2007)

Visual Explanations
Edward R. Tufte (Graphic Press LLC, 1997)

Barnbrook Bible
Jonathan Barnbrook (Rizzolini, 2007)

Helvetica, a documentary film
Gary Hustwit (Plexifilm, 2007)

Cartooning and Commercial Art
E.C. Matthews and Phillip Albaum (World Publishing Co., 1941)

Massive Change
Bruce Mau & the Institute without Boundaries (Phaidon Press, 2004)

Business Cards. The Art of Saying Hello.
Mike Dorrian, Liz Farrelly (Collins Design Publishers, 2004)

Colors. What They Mean and How to Make Them.
Anne Varichon (Abrams, 2006)

Paul Rand
Steven Heller (Phaidon Press, 1999)

Barbara Kruger: Thinking of You
Multiple essays organized by Ann Goldstein (The MIT Press, 1999)

meant to be stated, 02/02/01

I am a commercial artist. To me, this is art.
Livelihood. Liveliness. Alive. We, the living, are exposed to commercial art everyday.
I am a graphic designer. To me, this is art.
Livelihood. Liveliness. Alive. We, the living, are exposed to graphic design everyday.
I am a consumer. To me, this is life.
Mind. Body. Soul. We, the artist, are committed to consumption everyday.
I am a father. To me, this is life.
Mind. Body. Soul. We, the artist, are committed to guidance everyday.
I am a vagabond. To me, this is imagination.
Freedom. Creation. Idea. We, the thinker, are taking adventures everyday.
I am a dreamer. To me, this is imagination.
Freedom. Creation. Idea. We, the thinker, are learning lessons everyday.
I am a student. To me, this is a statement.
Art. Life. Imagination. My art reflects life, yours and mine. To me, art is life. And life is everyday.
I am Brian Prince. Growing. To me, this is vision.
To capture, to identify, and to interrupt life’s communication with imaginative art, everyday.

15 July 2009

kill poet press: i made it into issue 7.

1 comment:

the projectartschool archive (Jan 2008 – Aug 2009)

student

postage

categories

inspiration. people.

inspiration. things.

bibliography

publications

courseography

brian prince

project art schoogle

i give a hoot

updatees

subscr!be 2 project artschool

meant to be stated, 02/02/01

15 July 2009

kill poet press: i made it into issue 7.

1 comment:

the projectartschool archive (Jan 2008 – Aug 2009)

student

postage

categories

inspiration. people.

inspiration. things.

bibliography

publications

courseography

brian prince

project art schoogle

i give a hoot

updatees

project artschool feeds

subscr!be 2 project artschool

meant to be stated, 02/02/01